Crew Profiles: Molly Worre

Local 490 has some of the best crew in MN on our roster. They have worked on features, short films and commercials. They are on the top shelf in the MN film industry. In this series, Crew Profiles, we are highlighting union members on our roster. Next up is Local 490 member Molly Worre. She is a Script Supervisor in our Local and also gigs as an Assistant Director and Producer.

Photo provided by Morry Worre

1) Tell us about you and what you do in Film and TV?

My passion is storytelling. My continued work and growth as a filmmaker has expanded into a career across film, television and commercial as a producer, assistant director, production manager, script supervisor, and director.

Working across departments has sharpened my abilities as a director and producer and keeps me practiced in both the logistical and creative side of filmmaking.

2) How long have you been working in Film and TV? What got you interested in our industry?

I’ve been working in film and television for more than 20 years, but I’ve been writing stories and making movies since I was a little kid.

I think the moment it went from dreaming to doing was when my high school counselor told me that becoming a filmmaker was just a fantasy, wasn’t realistic, and that I should think of something else. It was clear then which one of us chose the wrong career. 

3) Tell us some of the films, projects and actors you are proud to have been part of?

I’ve been fortunate to work on so many different kinds of projects over the years. As a producer, I’m proud of pulling off some of the more challenging creative visions under incredibly tight timelines. The Minnesota Timberwolves’ “Bring the Nice” campaign was a great example of that - Bring the Nice!

Disneyland crew, Photo Provided by molly worre

 I also had the opportunity to produce a Disneyland commercial with some of my OG Minnesota crew-mates, who are now based in LA. A great reunion at the "Happiest Place on Earth".

As an assistant director, I’m proud to have worked on campaigns for brands like Nike Nike Heir Jordan  and TJ Maxx, which both required building intricate schedules around celebrity talent time constraints, with crack crews to pull off elaborate shots in five minute windows.

One of the commercial projects I’m most proud to have production-managed was a union shoot for Meta. I worked with renowned director/DP Lance Acord. I also production-managed the MN portion of the Adidas’ national “Superstar” campaign. These are two of the best looking spots I've worked on in any capacity. You can view them at these links, Adidas Superstar Instagram "You Got This"

As far as script supervising, what I’m most proud of isn’t one particular movie or actor. It’s the honor of having worked on so many films with the Minnesota film community. I have to say, I love the memory of practically fall-down laughing at the monitor on the set of the union shoot for Documentary Now. But I am most proud of this talented MN community. 

Molly with MN Crew members, Photo provided by molly worre

4) Who else is calling you for this work?

While a lot of local production companies know me as a script supervisor, the most frequent calls I get these days are to produce films, commercials and photo shoots. Commercially, I work most often with Publicsis Productions and Fallon Agency. Calls to produce feature films require many considerations to sign on, so I continue to work production gigs as well. I assistant direct films and commercials mostly for out of town companies and for Best Buy. I seem to get union or large scale PM calls, which I attribute to other local PM's having enough work to pass onto me the crazy ones. 

I continue to enjoy script supervising because, in many ways, it feels closest to my directing roots. It gives me the opportunity to be immersed in the creative side of the filmmaking process.  In the meantime, It frees me up to read scripts, work with writers, and continue development to produce or direct my own films. 

Collage Provided by Molly Worre

5) What do you feel is important for the future for script supervisors and crew in our industry? Do you have any advice to someone starting out in the industry?

Understanding editing is vital to the job. Script supervision is so much more than watching continuity and taking notes. You’re watching to ensure the scene will cut together—coverage, performance, screen direction, eye lines, matching action, pacing—and whether the editor has what they need to tell the story. DP's and directors will rely on you as the expert to answer questions pertaining to these aspects, so you need to be confident and you need to be confident and ready for that part of the job. 

I also think those of us who have been working in the industry for a long time have the chance to help build the crew base in Minnesota. Over the years, I’ve trained and mentored several people in script supervision. I  taught a script supervising workshop at the Minneapolis College for 5 years and I’ve been involved in PA training / education development as well. 

For Minnesota to continue attracting larger productions, we need a deep, experienced crew base that can support them. That means creating opportunities for new people to get on set, learn the craft and move up, while making sure the knowledge of experienced crew gets passed along. 

molly mentoring other crew members, photo provided by molly worre

6) Do you have any hopes for the MN Film Incentive? Is your business growing because of it?

I have big hopes for the Minnesota film incentive. The midterms are only months away and the momentum is picking up both with legislative efforts as well as substantially increased film production this season compared to the past  many years. I serve on the board of the Minnesota Film Alliance, so this is something I care about not only as a working filmmaker and crew member, but as someone invested in the long-term growth of our production community.

Explore Minnesota handles the administration of the incentive, while the non profit Minnesota Film Alliance serves as the industry's independent voice. The MFA does what state agencies can not : We advocate, and lobby for policy changes that bring work to Minnesota, and reasons for them to keep coming back.  

Highly competitive MN tax incentives will be directly related to MFA membership numbers. Industry professionals, students, businesses, sponsors - we need your help for the push! You can register for the membership drive on October 1st here Membership Drive  OR you can join today  Join the Alliance  

Molly with union crew, photo provided by molly worre

7) How long have you been a member of Local 490?

I’ve been a proud member of IATSE Local 490 for 11 years and have served on the executive board for over 8 years. I’m grateful for the opportunity to advocate for our members, and for safe and fair working conditions. I am proud to work alongside the talented crew who make up our local. We need our union roster to grow in order to ensure the bigger union shoots will come to Minnesota. This town is filled with skilled and experienced workforce and I'm excited for more crew to join. You can apply now right here...Join 490, With much anticipation for what's to come to MN, let's get on our marks and be ready to go!

Local 490 is proud to have members like Molly Worre on our union roster. All of our union members are the best in their stagecraft. Please support our film industry by hiring members like Molly Worre and shooting your next production on a union contract. In doing so, you are getting the best crew in Minnesota, your project will be safe, well run, your crew will be professional. You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.

If you would like to be featured in Crew Profiles, pls contact Mark at the 490 Social Media Committee, or email him at socialmedia@iatse490.net .

Crew Profiles: Dan Miller

Local 490 has some of the best crew in MN on our roster. They have worked on features, short films and commercials. They are on the top shelf in the MN film industry. In this series, Crew Profiles, we are highlighting union members on our roster. Next up is Local 490 member Dan Miller. He is a Gaffer, Grip & Electrician.

Tells us about you and what you do in Film and TV?

I originally started out in Iowa doing TV news, working on commercial production in between the morning and noon news programs. When I moved to the Twin Cities, I did corporate media work before going out on my own as a lighting technician.  


2) How long have you been working in the Industry? 

My first paycheck in the industry was a summer gig wiring the University of Northern Iowa campus for video in 1986. A friend taking a journalism class needed a cameraman. They knew I had gotten good grades in the photography class. I figured out the video camera. Then I figured out how the editing process worked. Then it dawned on me, I could do this for a living.

3) Tell us some of the films and actors you have been a part of? 


The Aerosmith music video for “I Don’t Want to Miss a Thing” for the size & scope of the production.

Lighting the 4 sets for the Presidential visit to St.Paul showing off the Light Rail. Here’s a hint, don’t touch the podium…

President Obama in Minnesota (photo provided by dan Miler)

Presidential podium (photo provided by dan Miler)

Another is a memory of watching the sunrise from one of the downtown towers or watching the sunset over a field of wheat with not another soul in sight.

4) Who else calling you for this work?

FILM NORTH LIGHTING CLASS (PHOTO PROVIDED BY DAN MILLER)

In addition to my regular gigs as a gaffer, electrician or grip, I feel that teaching the next generation is very important. So I teach a basic lighting class once a year for Film North. The weekend course helps get people comfortable with the terminology and procedures used in lighting. I enjoy helping them getting their projects to look better.
 The students often have a look of wonder on their faces, as they learn what they can do with the equipment and learn the film making process.

IATSE TRAINING TRUST CPR CLASS WITH RESCUE RESOURCES (PHOTO PROVIDED BY M. WOJAHN)

I also used to be the chair of the 490 Education committee and the CPR class we had.  It was the first class we sponsored and also a big success.  It’s cool to see the IATSE Training Trust Fund actually become a useful tool for our local and our membership.

5) What do you feel is important for the future for technicians in the Lighting Dept? 


My advice is to keep learning. Our department is changing with new technologies and new gear all the time. The LEDs lights and the wireless board is a game changer for lighting. In general, these tools help us to work smarter and maybe even it will save the next generations back and our knees.


6) Do you have any hopes for the MN Film Incentive?

I’m hopeful the the new changes pertaining to commercial production will bring more business.


7) How long have you been a member of Local 490?

11 years in 490. 2026 is my 40th Anniversary of working in the industry.

Local 490 is proud to have members like Dan Miller on our union roster. All of our union members are the best in their stagecraft. Please support our film industry by hiring members like Dan Miller and shooting your next production on a union contract. In doing so, you are getting the best crew in Minnesota, your project will be safe, well run, your crew will be professional. You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.

If you would like to be featured in Crew Profiles, pls contact The Social Media Committee, or email him at socialmedia@iatse490.net .

Crew Profiles: Deborah Fiscus

IATSE Local 490 has some of the best crew in MN on our roster. They have worked on features, short films, video games and commercials. They are on the top shelf in the MN film industry. In this series, Crew Profiles, we are highlighting union members on our roster. Next up is Local 490 member Deborah Fiscus. She is one of our veterans in Costumes and Wardrobe.  

Tell us about yourself and what you do in Film and TV?

My role in feature films and music videos is as a Costume Designer. On commercial and corporate productions I am a Wardrobe Stylist. Finding, shopping, building clothing to bring a Character to it’s full potential.

How long have you been working in Film and TV?

Long enough to know better, and I still love it.

What got you interested in the Production industry?

I was a Clothing Designer, creating very original “artwear” selling at local boutiques and to private clients. At the same time, I was a popular server around town. The “hurry up and wait, and we don’t know what we want, but we want it now” of food service combined with the creative problem-solving skills I learned at art school made for a smooth transition to film production.

Tell us some of the films and actors you have been a part of?

Christopher Lloyd, I’m Not a Serial Killer. A Legend!

Deborah with Mr. Lloyd (photo provided by Ms. Fiscus)

Reese Witherspoon, Election. Reese was a young, a rising star, she said it was it was the first time she had her own Star trailer. Super fun and very gracious.

Bruce Campbell Mindwarp. A horror genre royalty. One day Bruce noticed we were useing his new boxer shorts as part of a mask for another actor. He rolled with it. Pretty funny, pretty weird. My first movie experience. Of course it was a horror movie.

Amy Madigan, Brooklyn, Minnesota. I remembered her from Field of Dreams and was excited to work with her. She didn’t disappoint, she’s a powerhouse (AND she just won Best Supporting Actress at the Academy Awards !)

What do you feel is important for the future of Costume Designers and Wardrobe crew?

Sharing my knowledge from many years in this field is the best way for us to teach the future costumers, wardrobe stylists, and crew members coming up in this industry

7) How long have you been a member of Local 490?

I have been an active member of Local 490 since March of 1998, serving on the Membership Committee and the Board of Trustees. I’ve also served on the Board for Minnesota Women in Film and Television (MNWIFT)

Deborah with other costumers in MSP: Cerah, Jonell, Jane, Amy & Kyllyn

Local 490 is proud to have members like Deborah Fiscus on our union roster. All of our union members are the best in their stagecraft. You can find out more about  Deborah’s work at her website, click here.  Please support our film industry by hiring Minnesota’s best, like Deborah Fiscus and shooting your next production on a union contract. In doing so, you are getting the most experienced crew in Minnesota, your project will be safe, well run, your crew will be professional.  You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project.  Contact our business agent at this email, businessagent@iatse490.net,  to find out more about shooting union. If you would like to be featured in Crew Profiles, pls contact the social media committee, or email them at socialmedia@iatse490.net .

(This interview has been edited & condensed)

Local 490 Crew Profiles: Jim Morgan

IATSE Local 490 has some of the best crew in MN on our roster. They have worked on features, short films, video games and commercials. They are on the top shelf in the MN film industry. In this series, Crew Profiles, we are highlighting union members on our roster. Next up is Local 490 member Jim Morgan. He is one of our veterans in Sound & Mixing.  

Sound mixer, Jim Morgan on set (Photo provided by Jim Morgan)

Tells us about you and what you do in Film and TV?

I do sound for Indie features, TV, commercial, web, games, etc. I jump to join any creative project that I can meaningfully contribute to. In addition to doing sound I am also the owner of Conduit Sound + Stage, a post production facility & sound stage in NE Minneapolis. The stage is 40’x 40’x14’ high. It has a curved 38’ ft cyc wall. There are 2 bathrooms, 2 edit suites, meeting space with conference table, 3 loading docks and extra music rooms to record sound. Some of our clients have been; Actors- John E. Douglas (Mind hunter), Ed Harris (Downtown Owl), Dr Waziyatawin (Dakota native), Maren Hinkle (Marvelous Mrs Maisel), Musicians; the Cactus Blossoms, Chastity Brown, Indie films; The Mystery of DB Cooper (documentary), corporations; Best Buy and Target, and reporter Kiya Edwards of Kare 11.

a few shots from Conduit Stage & Sound (images provided by Jim Morgan)

2) How long have you been working in Film and TV? What got you interested in our industry? 

I started by working in production around 2007. My initial dream was to become a comic book artist and then I fell in love with music. When one of my best friends chose to go to school for film making, I had a eureka moment… films are moving pictures with music to them (duh)!

So, I then fell in love with film. I’ve learned it’s an amazing team sport, we’re all co-creating in the ultimate story telling format. We’re exploring life’s mysteries and if its really good, conveying wisdom too. (goosebumps). 

3) Tell us some of the films and actors you have been a part of? 

In 2015, I had the amazing opportunity to work on the Halo- Guardians game series with some of the worlds highest tiered technicians and talent.

More recently I worked on an independent feature called “Bones and All” directed by Luca Guadagnino, and starring Timothee Chalamet, Taylor Russell, and Mark Rylance. Myself and my sound teams have done countless independent feature films that have gone onto succeed in several major film festivals. 

4) Who else is calling you for this work?  

We are contacted for projects from all directions, you never know when the Production Assistant on today’s project is the Creative Producer on tomorrow’s. So everyone from; out of town companies to powerful local creatives, we facilitate location sound as well as post audio production year round. For union films in Minnesota, in 2016 I got to record and sound mix Wilson, starring Woody Harrelson and Laura Dern, that was a blast.

5) What do you feel is important for the future for Sound mixers and stage owners? 

a) Its a tough business, there was no room for me when I started and I don’t imagine it has gotten any easier. It’s also a lifestyle, some of the greatest advice I have received (the hard way) is the power of your availability to work, as well as the skill of anticipating what is needed at any given moment.

b) Stay sharp, pay attention, at the same time build relationships and never forget to have fun.

Jim MOrgan and his team of Boom Men, Nick Wright & Matt Joyer, on the set of Netflix’s Lady Dynamite. (Photos by Mark Wojahn)

c) Sounds basic, but I believe those are fundamental truths and not always obvious to everyone who is starting out. People who have been on the path can cut years of time off your journey, just by dropping your name. Be aware that everyone you meet, it’s important to authentically connect with them.

d) Finally, do the thing that you are tirelessly excited to do, it will be your north star through rejection and struggle. Team up with us at Conduit Sound & Stage, no matter what side of the production you are on!

Jim Morgan recording at Stonehenge England. (Photo Provided y Jim Morgan)

6) Do you have any hopes for the MN Film Incentive? Is your business growing because of it?

I hope so, it is challenging to quantify. I am not sure I have noticed a difference in my business, maybe up in Northern MN, with the steady stream of small budget indies, which I am very grateful for.

I do believe we all ships rise together, though I am not always sure who is organizing the fleet and where we are sailing. Thank god for producers and directors.

Here is a film I mixed and recorded in Northern Minnesota, called the Harbinger from Screen Media.

7) What is it about Sound and Music that speaks to you?

Sound is fragile, it is challenging to capture properly, especially while surrounded by the natural chaos that a film set thrives in. You use 2 senses to enjoy Film and TV yet the sound team is generally the smallest department. I love the technical challenge, the diplomacy required to navigate the sound team’s needs, and when the project is finished I hope the sonic message of the piece is received with clarity and creativity.

I have a deep love for music. Connection through music transcends language and time. It delves into deep emotional content that words cannot reach. So epic! I have been playing music my entire life and plan to keep playing to the end of my days. You ask how powerful is music? A single measure can penetrate a room full of noise and get stuck in your heart for days. It reinforces that there is still unexplored areas of the map for me. It reminds me there is still wonderment in the world.

8) How long have you been a member of Local 490?

Since 2009 I believe! It blurs together when you get to work with talented members of Local 490, before and after you join. They are some of the greatest humans I have met. Through our teamwork and solidarity, we find a way to thrive with the shared challenges on-set. I don’t know where I would be without my union brothers and sisters.

Local 490 is proud to have members like Jim Morgan on our union roster. All of our union members are the best in their stagecraft. You can find out more about  Jim’s work at his website, click here.  Please support our film industry by hiring Minnesota’s best, like Jim Morgan and shooting your next production on a union contract. In doing so, you are getting the most experienced crew in Minnesota, your project will be safe, well run, your crew will be professional.  You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project.  Contact our business agent at this email, businessagent@iatse490.net,  to find out more about shooting union. If you would like to be featured in Crew Profiles, pls contact the social media committee, or email them at socialmedia@iatse490.net .

(This interview has been edited & condensed)

2025 Union Commercials

As we say goodbye to 2025, here is a wrap up of some of the spots our roster worked on. Commercials are some of the premiere IATSE gigs in town for Local 490, 600 and SAG. In 2025, there were a number of spots shot in MN with some of the best directors and talent in the biz. Local 490 supplied crew for many of these shoots. This year we collaborated with high profile clients like; HyVee, Delta, Yellowtail Wine, Dick’s Sporting goods, Adidas, John Deere and others. Our crews work hard, with our experience and talent, we rise to the challenge of each project and give the production what they ask for and more.

Here are some of these spots;

Hy-Vee shot in MSP under a union contract, Produced by Prettybird, directed by Goh Iromoto.

Here are some BTS of the Hy-Vee commercial with Local 490 & 600 members.

Delta Commercial Shot in MSP under a Union Contract. Produced by Chelsea Pictures, Directed by Lalou & Joaquin

Yellowtail wine commercial shot in MSP under a Union Contract.

Dick’s Sporting Goods/Adidas commercial shot in MSP and feat. Anthony Edwards, Produced by Florence Creative.

Here are some BTS of the John Deere commercial with Local 490 members.

Local 490 believes when productions work under a union contract they are taking care of the workers, before, during and after the shoot. We hope to work with you again. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.#mnfilm #iatse490 #filminminnesota

May 2025 Social Time

Join us this Sunday, May 25th, between 7:00pm and 9:00pm for our next social time at Fair State Brewing Cooperative, located at 2506 Central Ave NE, Minneapolis, MN 55418. This event is open to everyone and everyone, and we hope to see as many people this Sunday!!!

2024 Prop Assist Workshop Round Up

On November 16th, 2024 IATSE Local 490 prop master Mark Wojahn led a class on Prop Assisting for Film and Television. It was an introductory course designed to teach new and prospective Prop Assistants what to expect and how to prepare for a job on a Film or Television series. The class was held at Propmaster Wojahn’s shop inside of the Casket Arts building in Northeast Minneapolis.

There were 15 people in attendance and this instruction was open to union and non union crew. This workshop covered job classifications and responsibilities, Safety, Organizing a Prop truck, set expectations, demands, continuity, propping actors and how to operate a lift gate, build a directors chair and many other tasks of a prop assist. We also offered hands on training on the movement of props and readying props for re-shoots or insert shots.

Attendees learning to use a liftgate and build directors chairs

We were fortunate to have three 490 prop masters at the workshop; Jason Thomas, Peter Dahl and Mark Wojahn. Each added key instruction to the class material.

Propmaster Thomas talks to the class on Prop Assisting

The course included a mix of instruction through a keynote presentation as well as Hands On Training in skills that are required to work as a Prop Assist in Film and Television. There was a prop truck rented from Tasty Lighting that the attendees toured through.

a three ton prop truck was on site from Tasty lighting

The COURSE OUTLINE was as follows;
- Prop Assistant Department job classifications and responsibilities.
- Safety (Lockup / On the Truck, On Location, Weather Related)
- Tools Required
- Setting up and Organizing a Prop Truck / Warehouse (aka Lockup)
- Wrapping out of a warehouse / lockup
- Hands On Training: Prepping Props before loading on a truck.
- Hands On Training: What is a Prop? Setting up a Prop Dept on Set.
- Hands On Training: Handing out props to Actors and Background talent
- Hands On Training: Re-propping for Re-shoots / Insert shots.

the class listening to Prop master WOjahn & the Keynote presentation

President of Local 490, Gary Surber, was in attendance and talked about the importance of IATSE.

This workshop is funded by the Internationals Training trust fund. Local 490 will have other workshops in the future. Pls check our website and social media pages for the next event. If you would apply to become a member of Local 490, here is a link to the membership application page. Local 490 thanks members like brother Mark Wojahn who are shining examples of the excellent crew base in Minnesota.

2024 Set Dressing Workshop Roundup

On June 22, 2024 Local 490 held an educational workshop on the fundamentals of Set Dressing. The class of 18 attendees were taught by veteran union Lead Man and Art Director Brian Simpson. The class was open to union and non-union crew. The venue was the Jack Pine Scene shop in St.Paul.

Lead Man Brian Simpson teaches the craft of Set dressing, photos provided by Jinny Jacobson

This workshop covered the job classifications and responsibilities, safety, organizing a warehouse and how to properly wrap out a set decoration warehouse at the end of production. It also offered hands on training in warehouse equipment, properly protecting set dressing for transport, practical light fixtures and recreating an established set for re-shoots or insert shots.

Attendees were taught Intro skills from wiring a lamp fixture to how to use a ratchet strap.

Attendee and 490 art dept, Jinny Jacobson commented that; “It was a great into and refresher. Fun opportunity to connect with old and new faces in the industry.”

Lead Man Brian Simpson teaches the craft of Set dressing, photo provided by Jinny Jacobson

The description of this position is as follows; the Set Dresser is responsible to the Set Decorator and Lead person. The Set Dresser assists in: the safe and efficient pick-up and return of all items and materials used as set decor; the carriage, movement, placement and preparation of all dressings within all studio and/or location sets; the maintenance, replacement and listing of inventory. The Set Dresser should be able to perform these tasks without direct supervision. The set dressers apply and remove the "dressing"; i.e., furniture, drapery, carpets, wall signs, vinyl decals—everything one would find in a location, (even doorknobs and wall sockets, when such items do not fall under the purview of construction.) Together the set dressers work on a “swing gang”. Most of the swing gang's work occurs before and after the shooting crew arrives, but one set dresser remains with the shooting crew and is known as the on-set dresser. Informally, in the U.S., the department is often referred to simply as “Set Dec”.

This workshop is funded by the Internationals Training trust fund. Local 490 will have other workshops in the future. Pls check our website and social media pages for the next event. If you would apply to become a member of Local 490, here is a link to the membership application page. Local 490 thanks members like brother Brian Simpson who are shining examples of the excellent crew base in Minnesota.

SAG / IATSE Happy Hour at Conduit Sound & 56 Brewing

The Twin Cites locals of SAG-AFTRA and IATSE 490 held a happy hour meet n’ greet this last Monday on June 10th at Conduit Sound & Stage / 56 Brewing in NE Minneapolis. Crew and Talent mingled with political supporters from the MN House of Representatives. Some of the notable politicos present were; Speaker of the House Melissa Hortman, MN State Rep. Dave Lislegard and MN Rep. John Hout.

From Left; IATSE & MN Film Board of Diresctors-Brian Simpson, MN. Rep. Lislegard, MN House Speaker Hortman, MN Rep. Huot, Mark Bradley SAG, Casey Lewis SAG. Photo provided by SAG-Aftra.

One thing talked about was the omnibus Jobs and Economic Development Bill passed by the MN Senate and the MN House.  In that bill was funding for a new state film office. IATSE & SAG are very happy to see MN get an official state funded film office and not a privately held Film Board.

The new MN Film Office will be a sub-office of Explore MN Tourism.  That connection was needed because Explore MN Tourism is the only state agency that can legally use taxpayer dollars for marketing.  Our MN Film Office will fall under that umbrella. Moving the Film Office to a state agency will eliminate the need for fundraising and put the staff in closer contact with the Governor and Legislators.

From Left, IATSE 490 Pres. Gary Surber, Brian Simpson and Rep Lislegard. hoto provided by SAG-Aftra.

490 would like to thank Conduit Sound for co-hosting this event. Conduit is owned by 490 member Sound Mixer Jim Morgan. Much thanks to SAG-Aftra and the politicians who were able attend and to pass this most recent bill to support a Film Office in MN! We hope to see y’all at the next happy hour TBD!

Former Local 490 President Honored

At the April 2024 membership meeting, former President of Local 490, Matt Muegge, was honored for his service. Brother Muegge was President for six years and vice president for three years. His long tenure as an officer saw the Local through many difficulties. We appreciate his service.

Pictured above presenting a plaque for his years of service is; (L) Molly Worre, Matt Muegge, Gary Surber, Owen Bradford and April Hinrichs.

Former President Muegge is most proud of this work during his tenure:

1-Getting the Local’s Constitution and By-Laws cleaned up and adding much needed amendments.

2-Continuing the growth of new members and our outreach to the local community.

3- Supporting the MN Film & TV Board in passing a 4 Year-100 Million Film Incentive for the State of Minnesota in 2023.

4-Most importantly, giving support to the members of our Executive Board in making huge progress for our Local such as Brother Simpson getting the series “In an Instant” unionized and Sister Georgia getting our Treasury books in order.

Thanks Brother Muegge for all your years of service to Local 490!

490 Works Sprite Ad w/Anthony Edwards

Crew from IATSE Local 490 worked under a union contract for a SPRITE commercial that was shot in Minnesota this past winter. The spot featured Timberwolves superstar Anthony “Antman” Edwards. This was a very positive production. The MN film community loves it when our local athletes are featured supporting global brands like Sprite. The spot was produced by Anonymous Content. The shoot was filmed at a beautiful local gym in the metro area. Union location mgr Charlotte Ariss coordinated where this spot would be filmed. Art dept was helmed by MN Production Designer Brian Simpson of Jackpine Scenic. Electric was lead by Mike Handley of Acme Stage & Tasty Lighting. Grip was keyed by Sev Pearman. Union Hair & Makeup was by April Hinrichs & Brenda Torre. Local producer was Sammy Halabi. Sound was mixed by Jeff Delauriers. Many other 490 crew were also on set as; script supervisors, set dressers, medics, craft service, boom operators, electricians and grips.

490 Dolly Grip Sev Pearmann glides the camera past Anthony Edwards

This SPRITE ad continues to play during the 2024 NBA playoffs. 490 wishes the MN Timberwolves all the luck and believes they can bring home a NBA championship. 490 would like to thank Anonymous Content and SPRITE for a safe shoot and for working under a union contract. This contract paid 490 members good wages, workers comp, unemployment insurance and health benefits.

Wide BTS image of the production

Local 490 believes when productions work under a union contract they are taking care of the workers, before, during and after the shoot. We hope to work with these clients again. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.#mnfilm #iatse490 #anthonyedwards #sprite #filminminnesota

490 Elects New President!

At the beginning of 2024, IATSE Local 490’s membership elected Gary Surber as its’ new President. He succeeds President Matt Muegge. In the election, he ran unopposed. President Surber will lead the Local for the next three years. Before becoming President, Brother Surber was a longtime member of 490, working in the construction, carpentry and art crafts. He will continue to work on those projects. His resume includes many movies and commercial spots, for example, the Coen brother’s A Serious Man, Garrison Keillor’s A Prairie Home Companion and doing art alongside Charlize Theron on North Country. President Surber says this quote from Russel Means inspires him, “If you can't stand for something you will fall for anything.” 490 is fortunate to have his energy helm the organization, now and into the future.

President Gary Surber

Other election news, sister April Hindrichs was was re-elected for her 2nd term as Vice President. Business Agent Kellie Larson, Treasurer Natasha Georgia and Secretary Owen Bradford all continue to hold their positions for another term. Executive board members at large, Molly Worre and newcomer Tom Franchette complete the Executive board. Sister Deborah Fiscus was re-elected as chair of the Board of Trustees as was Brother Scott Nordhausen and Dan Miller. 

IATSE Local 490 is proud to have these fine members lead us in the coming years. We look forward to the positive work they will be doing as our union continues to guide the MN Film Industry.

Downtown Owl to release on digital April 23rd

Stage 6 Productions shot the feature film "Downtown Owl" in Minnesota under a union contract in 2022. It was a comedy drama directed by first time filmmakers Lily Rabe and Hamish Linklater. The adapted screenplay was by Linklater of a book by MN writer Chuck Klosterman. The film starred Lily Rabe, Ed Harris, Vanessa Hudgens, August Blanco Rosenstein, Jack Dylan Grazer, Finn Wittrock, and Henry Golding. It shot in Minnesota for 22 days. The film had its’ World Premiere at the Tribeca Film Fest earlier this year. It is coming to Digital on April 23. You can pre-order now at : https://bit.ly/DowntownOwl 

The film employed many local craftspeople, actors, teamsters and was shot under a Tier 1- IA contract. Local 490 is very proud of the many of their members were hired off their roster (or became members after the film) for example; It was decorated by Melissa Pritchett, Lead Man was Peter Dahl and ‘Owl’ was Art Directed by Brian Simpson. Set dressing by Nathan Tymochuk with Cheri Anderson as the Art Buyer. Jason Thomas was Propmaster and Sam Deans was the assist. Sound was mixed and recorded by Jim Morgan with Matt Joyer on the boom. Make up was crewed by April Hindrichs, Laura Hart was her key. Hair was done by Brenda Torre. Costume Supervisor was Amanda Schwarzrock. Union Best Boy electric was Nathan Lee, Grip by Ricky Taylor. Craft Service was provided by Natasha Georgia. SFX was executed by Dieter & Evonne Sturm with Tiny Proctor as the SFX tech. Linda Kuussito was scripty. Union owned Wheels Up provided trailers and Tasty Lighting supplied the Grip Truck. Thank you to all these union members who worked extremely hard under challenging budgets and with first time filmmakers. Other non-union crew were present, we invite them to apply to Local 490.

Here are some BTS shots of some of our Local 490 members working on set.

This film was a good example how a tier 1 film can be executed in Minnesota. The MN Film and TV board did an nice job bringing "Downtown Owl" to MN. 490 wishes the film lots of luck with its digital release and hopes to see other projects of this size or larger to use its membership to create their story. If you are interested in signing a union contract, pls contact our business agent at E: businessagent@iatse490.net C: 612-393-0550

The local press was very interested in this project. Here are some links to stories written about "Downtown Owl";

Business Journal: https://www.bizjournals.com/twincities/news/2022/04/27/movie-st-paul-downtown-owl.html

Star Tribune: https://www.bizjournals.com/twincities/news/2022/04/27/movie-st-paul-downtown-owl.html

CBS News: https://www.cbsnews.com/minnesota/news/film-production-tax-credit-draws-indie-film-crew-to-st-paul/

2023 Incentive Bill / Call To Action / News Update

IATSE 490 legislative committee chair and member of the MN Film Board board of directors, Brian Simpson, reports that the film industry had a great hearing Friday (3/10), in the House Economic Development Finance and Policy committee. The committee later passed the House Bill 2059 in the House Economic Development Finance Committee unanimously.  This is the 1st of 5 steps this bill needs to become law. Local 490 thanks everyone who was able to be there in person.  The turnout from our community was incredible, and we believe that made a huge impression on the committee members and showed them how important this tax credit is to our community. The chief author of the bill, Rep Dave Lislegard, with a Monster energy drink in hand, led a great lineup of testifiers. 

490’s Brian Simpson with Rep Dave Lislegard, (photo provided by Brother Simpson)

Testifying before the committee was; Rep. Lisegard, MN Film Board director Melodie Bahan, Teamster lobbyist Hannah Allstedt, Michelle Scott of the Chisholm Inn & Suites and our Brian Simpson of Local 490. Three labor orgs came together at the Call To Action event with MN Actors union SAG/AFTRA, transportation’s Teamsters and crew with IATSE. We all lobbied together as a unified labor force.

Casey Lewis of Sag/ Aftra and Hannah Allstedt of the teamsters pose for a picture with Brother simpson, (photo provided by Brother Simpson)

This committee is just one stop on our path. Up next will be a very important stop in House Tax committee. Simpson estimated about 75 crew, vendors or NGOs were at the hearing from the film industry. The date and time for next hearing is still TBD. When it happens we need you all to come back to the Capitol and support us again.

Rep Dave Lislegard working at his committee post (photo provided by Brother Simpson)

On the Senate side our bill has been sent directly to Senate Tax Committee, that hearing date is TBD. 

Local 490 Crew Profiles: Natalie Hale

IATSE Local 490 has some of the best crew in MN on our roster. They have worked on features, short films and commercials. They are on the top shelf in the MN film industry. In this series, Crew Profiles, we are highlighting union members on our roster. Next up is Local 490 member Natalie Hale. She is one of our veterans in Hair & Make-up. 

Ms. Hale does Last minute touch-ups for Broadway Star, Caroline Innerbichler for Chanhassen Dinner Theaters, “Little Mermaid”

Tells us about you and what you do in Film and TV?  I work in the industry doing Make-up & Hair for Feature Films, TV Shows, Celebrity, Campaign, Music Video and Commercial Advertising. I am extremely passionate for this craft. I have many years of experience and am pillar in the Minneapolis film community. 

2) How long have you been working in Film? What got you interested in our industry?

I’ve been working on set since 1991. Growing up, I loved films. I would watch the old B & W classics all night long with my father. When I was 12 years old, my family owned its first video rental store. I worked doing rentals and then things really changed when we bought our first home video camera. My brothers and myself went wild and made endless movies, including horror. Of course it was DIY and I was the director and often the actress donning the fake blood. I continued to make films through high school and attended MCAD. I received a 2 year film degree from MCTC, then went to cosmetology school at Horst (now Aveda). I added a job at Pro Color, a photo, film developing center and met many people in the business. With all of these wonderful experiences and schooling, I started to transition from student films to professional sets. At first, I did mainly PA work and was a volunteer at the MN Film Board. I learned to network. I combined my love for films, art and people. I fell in love with the the Makeup Department. Since then, I haven’t looked back:)

3) Tell us some of the films and actors you have been a part of? 
My favorite film I worked on was, “A Prairie Home Companion” directed by Robert Altman & shadowed by Paul Thomas Anderson. Daily, in our make-up trailer, the team painted the faces of these amazing actors: Meryl Streep, Woody Harrelson, Tommy Lee Jones, Lindsey Lohan, Kevin Kline, Mya Rudolph, John C. Reilly, Virginia Madsen, Lily Tomlin, Garrison Keillor and many others. It was the most pleasant film experience that I had with an all star cast & crew. 

4) Who else is calling you for this work? 

Being in the Film Industry/Union for many years, has allowed me to cross paths with many producers and directors. I get calls for just about anything that needs a Make-up Artist’s touch and/or to spread positive energy on set. Aside from film work, I get calls from the Fortune 500 Companies that are home to Minnesota, and often get to make up their CEO’s.  I also have established delightful working relationships with many personal clients, who I glam up when not working on set. 

5) What do you feel is important for the future for Make-Up Artists? 
When I first started in the business, I was fortunate to have many HMU artists be extremely welcoming and who mentored me. They believed in me as person & as an artist. They brought me on sets to assist, work alongside of and collaborate. From this, I have learned valuable lessons, set etiquette, kit sanitation/ cleanliness, skill set and sharing of ideas, troubleshooting, quality over quantity and insane amounts of energy exchange! Over the years, out of respect and to keep the quality of HMU artistry intact, I have guided others with those gifts as well. I do this to honor those before me and I would like to ensure that our film craft is consistent for years to come. We have some of the best artists & humans in MN and I’m proud of the Makeup / Hair Community and to be a member of Local 490!

Natalie Touches up a model in front of 1st Avenue for a Plato’s Closet Commercial

6) Do you have any hopes for the MN Film Incentive?  I have worked on films since the 1990’s when “Snowbate” started.  I understand the importance it plays for our film community and for the larger state economy. I feel it is very important for our legislature to further understand the wider benefits everyone could reap when a film decides to shoot in a city or in other parts of the state. One way that I have been thinking of proposing, is to set to aside greater incentive amounts for larger tiers of films. For instance, a union contracted Tier 1, 2 or 3 project would bring more money to our economy than a non-union micro-budget indie. I would love to see 20 million in Film incentives each year. There would be so much work! In my humble opinion, this could be one way the State Govt shows to us that it is serious about our industry and job creation. I believe this is workable with the 16 billion $$$ surplus and it could be accomplished. I think it would be beneficial for many Minnesotans. I plan on getting even more involved to figure out new ways to encourage the Capitol to allot more film incentive money.

7) How long have you been a member of Local 490?  I have been a member in good standing of IATSE 490 since 1999.

Local 490 is proud to have members like  Natalie Hale on our union roster. All of our union members are the best in their stagecraft. You can find out more about  Natalie’s work at her website, click here.  Please support our film industry by hiring Minnesota’s best, like Natalie Hale and shooting your next production on a union contract. In doing so, you are getting the most experienced crew in Minnesota, your project will be safe, well run, your crew will be professional.  You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project.  Contact our business agent at this email, businessagent@iatse490.net,  to find out more about shooting union. If you would like to be featured in Crew Profiles, pls contact the social media committee, or email them at socialmedia@iatse490.net .

Local 490 Crewed Spot plays Super Bowl LVII

Great to see a commercial with 490 crew played during the Super Bowl LVII. It was a Cenex spot under a union contract and shot in Minnesota. Union members on this shoot inc. Pres. Matt Muegge as gaffer, Best Boy Electric: Mike Handley, Electric: Brandon Sandberg, the Art Dept was Art Director Mark Wojahn with; Brian Simpson, Tom Kristjanson, Sarah Jean Shervin and Melissa Pritchett. Sound Mix: Owen Brafford, Boom: Nick Wright, Scripty: Linda Kuusisto, Makeup: Teri Demerest, Wardrobe: Deborah Fiscus and Craft Service; Natasha Georgia.

Dresser, Tom Kristjanson, Propmaster, Brian Simpson decorate the Cenex store for the commercial.

Gaffer Matt Muegge sets a light for the Exterior

490 would like to thank Cenex, PICROW Productions and Colle McVoy for a safe shoot and for working under a union contract. This contract paid 490 members good wages, workers comp, unemployment insurance and health benefits.

Decorator Sarah Jean Shervin, Wardrobe Deborah Fiscus and Dresser Melissa Pritchett on set

Local 490 believes when productions work under a union contract they are taking care of the workers, before, during and after the shoot. We hope to work with you again. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.#mnfilm #iatse490 #artdirection #cenex #filminminnesota

Made in Minnesota / MN Film Alliance / Promo

The 2023 ‘Made in Minnesota’ promo is now out. Produced by The Mn Film Alliance, with key roles on this production by IATSE 490, SAG & DGA members.

490 Craft Service, Natasha Georgia, is featured in the promo. Film Still by MN Film Alliance

Click below to watch the Video promo.

Watch the photo gallery below to see other 490 members featured in this years promo! Film Stills by MN Film Alliance.

Productions in town and from out of town can support our film industry by hiring union members and shooting your next production on a union contract. In doing so, you are getting the best crew in Minnesota, your project will be safe, well run, your crew will be professional. You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project. Contact our business agent, Kellie Larson, at this email, businessagent@iatse490.net, to find out more about shooting union.

If you are a local 490 union member and would like to be featured on this page, pls contact Mark Wojahn in the social media committee, or email him at socialmedia@iatse490.net.

#economicdevelopment #mnfilm #workforcedevelopment #iatse490 #iatse #mnfilmtv #madeinminnesota #mncrew #sagafra #dga

490 Plays Key Role on MN Film Industry Promo Shoot

On Saturday Dec 17th, IATSE Local 490 participated in a promotional shoot highlighting Minnesota crew, studios and gear for; the MN Film Board, The Upper Midwest Film Office and the Minnesota Film Alliance. In attendance from the film office was Riki McManus and Shari Marshik.

Acme Stage is the location for the “Film in Minnesota” Promo for 2023!

The shoot was produced by Sammy Halabi and coordinated by union producer Briana Rose Lee. Assistant director was Bryan Shelly of the DGA. It was filmed at ACME Stage owned by 490 member Michael Handley. Most of the lighting and grip gear used was from Tasty Lighting, also owned by Mr. Handley. The wardrobe trailer on set was provided by Wheels up Rentals, co-owned by 490 member April Hinrichs and Mr. Halabi. Producer Halabi commented, "Local 490 crew is the real backbone of our industry.  Us having union crew on our shoot made this project very special" 

Producers ; Sammy Halabi & Briana Rose Lee with the Upper Midwest Film office team. Photo by S. Halabi

Art Dept who dressed the set were 490 members; Cheri Anderson, Melissa Pritchett, Jinny Jacobsen, Scott Nordhausen and Mark Wojahn. Set walls were provided by union member Brian Simpson of Jack Pine Scenic.

490 Member Scott Nordhausen paints the trim on the set wall.

The union grip and electrics on set were Joe Gallup, Layton Umpleby, Thomas VandenDolder and Matt Muegge. The shoot was gaffed by Michael Handley.

Union Member Layton Umpleby on the dolly

Union Hair and Make Up was April Hinrichs. Union sound was Jeff DesLauriers. Wardrobe was provided 490’s Deborah Fiscus. Union Craft service was Natasha Georgia. Script supervisor was 490 member Molly Worre.

the Set seen on the monitors, photo provided by Jeff Deslauriers

There were many more crew and talent that were non-union on set. We thank the whole team, union and non-union, that was able to pull this shoot off. We hope that the promotional stills, videos and commercials made from this shoot will help encourage the MN State legislature to continue and/or increase funding the State Film Tax incentive and rebate. We believe the film industry is an important engine for economic and creative development in Minnesota.

Union Members Melissa Pritchett and Jinny Jacobsen work the dolly & Camera.

Productions in town and from out of town can support our film industry by hiring union members and shooting your next production on a union contract. In doing so, you are getting the best crew in Minnesota, your project will be safe, well run, your crew will be professional. You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.

If you are a local 490 union member and would like to be featured on this page, pls contact Mark Wojahn in the social media committee, or email him at socialmedia@iatse490.net.

#economicdevelopment #mnfilm #workforcedevelopment #iatse490 #mnfilmtv #madeinminnesota #goforsammy #mncrew

Crew Profiles: Brian Simpson & Jackpine Scenic

Local 490 has some of the best crew in MN on our roster. They have worked on features, short films and commercials. They are on the top tier in the MN film industry. In this series, Crew Profiles, we are highlighting our union members on our roster. Next up, Local 490 member Brian Simpson. He is a specialist in building sets, props and leading art dept. crews.

1) Tells us about you and what you do in Film and TV?

I work as an Art Director but I also own Jackpine Scenic.  We do sets, custom props, and advertising displays for Film, TV, Commercials and Events.  Find us at jackpinescenic.com and follow us on instagram @jackpinescenic

2) How long have you been working in the Industry? 

17 years

3) Tell us about your new gear, shop space that you’ve acquired?

This spring we moved to a larger shop space in the 280/University area.  We do woodwork, metal work, painting, foam sculpting and anything else that comes up.  We also now can spray hard coating on foam sculptures and displays using either polyurethane or polyurea.

4) Who is calling you for this work?

We do sets for commercials and photo shoots.  We did some work for the film Downtown Owl.  The bulk of our year went to the 3M Open golf tournament.  We work with Brand Ink to create all kinds of displays for 3M.  Some of the displays are floating in lakes, some of them are out near tee boxes and greens.  A lot of them are interactive for the guests including mini golf holes and a large walk through wind chime instrument.  This year we had over 40 displays on the golf course.  This one event takes several months to prep and then we spend the entire month of July on the golf course installing and then striking everything.

Here are some pictures as well as the info pdf I send out for Jackpine Scenic.  

5) Can you see other places you want to go with your business?

We are going to pursue building more sets and custom props.  Next year we may be pursuing additional golf tournaments with Brand Ink.  The foam sculpting is an area for growth.  After we spray the foam elements with a hard coat, they can be finished in a variety of ways.  Elements can be painted or we can print graphics on vinyl and have them wrapped.  These work for advertising displays, but they can also be built for set elements that are strong enough for actors walk on.  As an example we can create functional faux stone steps out of foam. The mini golf holes that we made for the 3M Open were sculpted out of foam and then hard coated with polyurethane.  10,000 people played the mini golf holes this year and they are still ready for next year.

MN Lottery Commercial, Set by Brian Simpson & Jackpine Scenic.

6) Do you have any hopes for the new film incentive? 

I am definitely hopeful for the incentive. There has been a lot of hiccups that are mostly the fault of the legislature but I am optimistic that we will start to see some larger projects.

7) How long have you been a member of Local 490?

Since 2008. 

Mayo Clinic Commercial, Art Direction by Brian Simspon & Jackpine Scenic.

Local 490 is proud to have members like Brian Simpson on our union roster. All of our union members are the best in their stagecraft. You can find out more about Brian’s work at his website. jackpinescenic.com

Please support our film industry by hiring members like Brian Simpson and shooting your next production on a union contract. In doing so, you are getting the best crew in Minnesota, your project will be safe, well run, your crew will be professional. You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.

If you would like to be featured in Crew Profiles, pls contact Mark Wojahn in the social media committee, or email him at socialmedia@iatse490.net.

490 Members in the news!

Local 490 members Sammy Halibi(Producer Coordination) and April Hindrichs (HMU) have made the local CBS news, WCCO. Their film trailer business, Wheels Up Rentals was featured in a story about them and the MN film incentive.

April and Sammy in one of their film trailers, image by WCCO news.

Here is the link to the News story, WCCO FILM INCENTIVE MEDIA STORY.

490 would like to thank members like Sammy Halibi and April Hindrichs for their work in the union and outside making Minnesota a better place for production.

If you are a 490 union member and would like to be featured on our News page pls contact the social media committee at; socialmedia@iatse490.net if you are a production that would like to work under a union contact, please contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.