2023 Incentive Bill / Call To Action / News Update

IATSE 490 legislative committee chair and member of the MN Film Board board of directors, Brian Simpson, reports that the film industry had a great hearing Friday (3/10), in the House Economic Development Finance and Policy committee. The committee later passed the House Bill 2059 in the House Economic Development Finance Committee unanimously.  This is the 1st of 5 steps this bill needs to become law. Local 490 thanks everyone who was able to be there in person.  The turnout from our community was incredible, and we believe that made a huge impression on the committee members and showed them how important this tax credit is to our community. The chief author of the bill, Rep Dave Lislegard, with a Monster energy drink in hand, led a great lineup of testifiers. 

490’s Brian Simpson with Rep Dave Lislegard, (photo provided by Brother Simpson)

Testifying before the committee was; Rep. Lisegard, MN Film Board director Melodie Bahan, Teamster lobbyist Hannah Allstedt, Michelle Scott of the Chisholm Inn & Suites and our Brian Simpson of Local 490. Three labor orgs came together at the Call To Action event with MN Actors union SAG/AFTRA, transportation’s Teamsters and crew with IATSE. We all lobbied together as a unified labor force.

Casey Lewis of Sag/ Aftra and Hannah Allstedt of the teamsters pose for a picture with Brother simpson, (photo provided by Brother Simpson)

This committee is just one stop on our path. Up next will be a very important stop in House Tax committee. Simpson estimated about 75 crew, vendors or NGOs were at the hearing from the film industry. The date and time for next hearing is still TBD. When it happens we need you all to come back to the Capitol and support us again.

Rep Dave Lislegard working at his committee post (photo provided by Brother Simpson)

On the Senate side our bill has been sent directly to Senate Tax Committee, that hearing date is TBD. 

Local 490 Crew Profiles: Natalie Hale

IATSE Local 490 has some of the best crew in MN on our roster. They have worked on features, short films and commercials. They are on the top shelf in the MN film industry. In this series, Crew Profiles, we are highlighting union members on our roster. Next up is Local 490 member Natalie Hale. She is one of our veterans in Hair & Make-up. 

Ms. Hale does Last minute touch-ups for Broadway Star, Caroline Innerbichler for Chanhassen Dinner Theaters, “Little Mermaid”

Tells us about you and what you do in Film and TV?  I work in the industry doing Make-up & Hair for Feature Films, TV Shows, Celebrity, Campaign, Music Video and Commercial Advertising. I am extremely passionate for this craft. I have many years of experience and am pillar in the Minneapolis film community. 

2) How long have you been working in Film? What got you interested in our industry?

I’ve been working on set since 1991. Growing up, I loved films. I would watch the old B & W classics all night long with my father. When I was 12 years old, my family owned its first video rental store. I worked doing rentals and then things really changed when we bought our first home video camera. My brothers and myself went wild and made endless movies, including horror. Of course it was DIY and I was the director and often the actress donning the fake blood. I continued to make films through high school and attended MCAD. I received a 2 year film degree from MCTC, then went to cosmetology school at Horst (now Aveda). I added a job at Pro Color, a photo, film developing center and met many people in the business. With all of these wonderful experiences and schooling, I started to transition from student films to professional sets. At first, I did mainly PA work and was a volunteer at the MN Film Board. I learned to network. I combined my love for films, art and people. I fell in love with the the Makeup Department. Since then, I haven’t looked back:)

3) Tell us some of the films and actors you have been a part of? 
My favorite film I worked on was, “A Prairie Home Companion” directed by Robert Altman & shadowed by Paul Thomas Anderson. Daily, in our make-up trailer, the team painted the faces of these amazing actors: Meryl Streep, Woody Harrelson, Tommy Lee Jones, Lindsey Lohan, Kevin Kline, Mya Rudolph, John C. Reilly, Virginia Madsen, Lily Tomlin, Garrison Keillor and many others. It was the most pleasant film experience that I had with an all star cast & crew. 

4) Who else is calling you for this work? 

Being in the Film Industry/Union for many years, has allowed me to cross paths with many producers and directors. I get calls for just about anything that needs a Make-up Artist’s touch and/or to spread positive energy on set. Aside from film work, I get calls from the Fortune 500 Companies that are home to Minnesota, and often get to make up their CEO’s.  I also have established delightful working relationships with many personal clients, who I glam up when not working on set. 

5) What do you feel is important for the future for Make-Up Artists? 
When I first started in the business, I was fortunate to have many HMU artists be extremely welcoming and who mentored me. They believed in me as person & as an artist. They brought me on sets to assist, work alongside of and collaborate. From this, I have learned valuable lessons, set etiquette, kit sanitation/ cleanliness, skill set and sharing of ideas, troubleshooting, quality over quantity and insane amounts of energy exchange! Over the years, out of respect and to keep the quality of HMU artistry intact, I have guided others with those gifts as well. I do this to honor those before me and I would like to ensure that our film craft is consistent for years to come. We have some of the best artists & humans in MN and I’m proud of the Makeup / Hair Community and to be a member of Local 490!

Natalie Touches up a model in front of 1st Avenue for a Plato’s Closet Commercial

6) Do you have any hopes for the MN Film Incentive?  I have worked on films since the 1990’s when “Snowbate” started.  I understand the importance it plays for our film community and for the larger state economy. I feel it is very important for our legislature to further understand the wider benefits everyone could reap when a film decides to shoot in a city or in other parts of the state. One way that I have been thinking of proposing, is to set to aside greater incentive amounts for larger tiers of films. For instance, a union contracted Tier 1, 2 or 3 project would bring more money to our economy than a non-union micro-budget indie. I would love to see 20 million in Film incentives each year. There would be so much work! In my humble opinion, this could be one way the State Govt shows to us that it is serious about our industry and job creation. I believe this is workable with the 16 billion $$$ surplus and it could be accomplished. I think it would be beneficial for many Minnesotans. I plan on getting even more involved to figure out new ways to encourage the Capitol to allot more film incentive money.

7) How long have you been a member of Local 490?  I have been a member in good standing of IATSE 490 since 1999.

Local 490 is proud to have members like  Natalie Hale on our union roster. All of our union members are the best in their stagecraft. You can find out more about  Natalie’s work at her website, click here.  Please support our film industry by hiring Minnesota’s best, like Natalie Hale and shooting your next production on a union contract. In doing so, you are getting the most experienced crew in Minnesota, your project will be safe, well run, your crew will be professional.  You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project.  Contact our business agent at this email, businessagent@iatse490.net,  to find out more about shooting union. If you would like to be featured in Crew Profiles, pls contact the social media committee, or email them at socialmedia@iatse490.net .

Local 490 Crewed Spot plays Super Bowl LVII

Great to see a commercial with 490 crew played during the Super Bowl LVII. It was a Cenex spot under a union contract and shot in Minnesota. Union members on this shoot inc. Pres. Matt Muegge as gaffer, Best Boy Electric: Mike Handley, Electric: Brandon Sandberg, the Art Dept was Art Director Mark Wojahn with; Brian Simpson, Tom Kristjanson, Sarah Jean Shervin and Melissa Pritchett. Sound Mix: Owen Brafford, Boom: Nick Wright, Scripty: Linda Kuusisto, Makeup: Teri Demerest, Wardrobe: Deborah Fiscus and Craft Service; Natasha Georgia.

Dresser, Tom Kristjanson, Propmaster, Brian Simpson decorate the Cenex store for the commercial.

Gaffer Matt Muegge sets a light for the Exterior

490 would like to thank Cenex, PICROW Productions and Colle McVoy for a safe shoot and for working under a union contract. This contract paid 490 members good wages, workers comp, unemployment insurance and health benefits.

Decorator Sarah Jean Shervin, Wardrobe Deborah Fiscus and Dresser Melissa Pritchett on set

Local 490 believes when productions work under a union contract they are taking care of the workers, before, during and after the shoot. We hope to work with you again. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.#mnfilm #iatse490 #artdirection #cenex #filminminnesota

Made in Minnesota / MN Film Alliance / Promo

The 2023 ‘Made in Minnesota’ promo is now out. Produced by The Mn Film Alliance, with key roles on this production by IATSE 490, SAG & DGA members.

490 Craft Service, Natasha Georgia, is featured in the promo. Film Still by MN Film Alliance

Click below to watch the Video promo.

Watch the photo gallery below to see other 490 members featured in this years promo! Film Stills by MN Film Alliance.

Productions in town and from out of town can support our film industry by hiring union members and shooting your next production on a union contract. In doing so, you are getting the best crew in Minnesota, your project will be safe, well run, your crew will be professional. You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project. Contact our business agent, Kellie Larson, at this email, businessagent@iatse490.net, to find out more about shooting union.

If you are a local 490 union member and would like to be featured on this page, pls contact Mark Wojahn in the social media committee, or email him at socialmedia@iatse490.net.

#economicdevelopment #mnfilm #workforcedevelopment #iatse490 #iatse #mnfilmtv #madeinminnesota #mncrew #sagafra #dga

490 Plays Key Role on MN Film Industry Promo Shoot

On Saturday Dec 17th, IATSE Local 490 participated in a promotional shoot highlighting Minnesota crew, studios and gear for; the MN Film Board, The Upper Midwest Film Office and the Minnesota Film Alliance. In attendance from the film office was Riki McManus and Shari Marshik.

Acme Stage is the location for the “Film in Minnesota” Promo for 2023!

The shoot was produced by Sammy Halabi and coordinated by union producer Briana Rose Lee. Assistant director was Bryan Shelly of the DGA. It was filmed at ACME Stage owned by 490 member Michael Handley. Most of the lighting and grip gear used was from Tasty Lighting, also owned by Mr. Handley. The wardrobe trailer on set was provided by Wheels up Rentals, co-owned by 490 member April Hinrichs and Mr. Halabi. Producer Halabi commented, "Local 490 crew is the real backbone of our industry.  Us having union crew on our shoot made this project very special" 

Producers ; Sammy Halabi & Briana Rose Lee with the Upper Midwest Film office team. Photo by S. Halabi

Art Dept who dressed the set were 490 members; Cheri Anderson, Melissa Pritchett, Jinny Jacobsen, Scott Nordhausen and Mark Wojahn. Set walls were provided by union member Brian Simpson of Jack Pine Scenic.

490 Member Scott Nordhausen paints the trim on the set wall.

The union grip and electrics on set were Joe Gallup, Layton Umpleby, Thomas VandenDolder and Matt Muegge. The shoot was gaffed by Michael Handley.

Union Member Layton Umpleby on the dolly

Union Hair and Make Up was April Hinrichs. Union sound was Jeff DesLauriers. Wardrobe was provided 490’s Deborah Fiscus. Union Craft service was Natasha Georgia. Script supervisor was 490 member Molly Worre.

the Set seen on the monitors, photo provided by Jeff Deslauriers

There were many more crew and talent that were non-union on set. We thank the whole team, union and non-union, that was able to pull this shoot off. We hope that the promotional stills, videos and commercials made from this shoot will help encourage the MN State legislature to continue and/or increase funding the State Film Tax incentive and rebate. We believe the film industry is an important engine for economic and creative development in Minnesota.

Union Members Melissa Pritchett and Jinny Jacobsen work the dolly & Camera.

Productions in town and from out of town can support our film industry by hiring union members and shooting your next production on a union contract. In doing so, you are getting the best crew in Minnesota, your project will be safe, well run, your crew will be professional. You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.

If you are a local 490 union member and would like to be featured on this page, pls contact Mark Wojahn in the social media committee, or email him at socialmedia@iatse490.net.

#economicdevelopment #mnfilm #workforcedevelopment #iatse490 #mnfilmtv #madeinminnesota #goforsammy #mncrew

Crew Profiles: Brian Simpson & Jackpine Scenic

Local 490 has some of the best crew in MN on our roster. They have worked on features, short films and commercials. They are on the top tier in the MN film industry. In this series, Crew Profiles, we are highlighting our union members on our roster. Next up, Local 490 member Brian Simpson. He is a specialist in building sets, props and leading art dept. crews.

1) Tells us about you and what you do in Film and TV?

I work as an Art Director but I also own Jackpine Scenic.  We do sets, custom props, and advertising displays for Film, TV, Commercials and Events.  Find us at jackpinescenic.com and follow us on instagram @jackpinescenic

2) How long have you been working in the Industry? 

17 years

3) Tell us about your new gear, shop space that you’ve acquired?

This spring we moved to a larger shop space in the 280/University area.  We do woodwork, metal work, painting, foam sculpting and anything else that comes up.  We also now can spray hard coating on foam sculptures and displays using either polyurethane or polyurea.

4) Who is calling you for this work?

We do sets for commercials and photo shoots.  We did some work for the film Downtown Owl.  The bulk of our year went to the 3M Open golf tournament.  We work with Brand Ink to create all kinds of displays for 3M.  Some of the displays are floating in lakes, some of them are out near tee boxes and greens.  A lot of them are interactive for the guests including mini golf holes and a large walk through wind chime instrument.  This year we had over 40 displays on the golf course.  This one event takes several months to prep and then we spend the entire month of July on the golf course installing and then striking everything.

Here are some pictures as well as the info pdf I send out for Jackpine Scenic.  

5) Can you see other places you want to go with your business?

We are going to pursue building more sets and custom props.  Next year we may be pursuing additional golf tournaments with Brand Ink.  The foam sculpting is an area for growth.  After we spray the foam elements with a hard coat, they can be finished in a variety of ways.  Elements can be painted or we can print graphics on vinyl and have them wrapped.  These work for advertising displays, but they can also be built for set elements that are strong enough for actors walk on.  As an example we can create functional faux stone steps out of foam. The mini golf holes that we made for the 3M Open were sculpted out of foam and then hard coated with polyurethane.  10,000 people played the mini golf holes this year and they are still ready for next year.

MN Lottery Commercial, Set by Brian Simpson & Jackpine Scenic.

6) Do you have any hopes for the new film incentive? 

I am definitely hopeful for the incentive. There has been a lot of hiccups that are mostly the fault of the legislature but I am optimistic that we will start to see some larger projects.

7) How long have you been a member of Local 490?

Since 2008. 

Mayo Clinic Commercial, Art Direction by Brian Simspon & Jackpine Scenic.

Local 490 is proud to have members like Brian Simpson on our union roster. All of our union members are the best in their stagecraft. You can find out more about Brian’s work at his website. jackpinescenic.com

Please support our film industry by hiring members like Brian Simpson and shooting your next production on a union contract. In doing so, you are getting the best crew in Minnesota, your project will be safe, well run, your crew will be professional. You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.

If you would like to be featured in Crew Profiles, pls contact Mark Wojahn in the social media committee, or email him at socialmedia@iatse490.net.





490 Members in the news!

Local 490 members Sammy Halibi(Producer Coordination) and April Hindrichs (HMU) have made the local CBS news, WCCO. Their film trailer business, Wheels Up Rentals was featured in a story about them and the MN film incentive.

April and Sammy in one of their film trailers, image by WCCO news.

Here is the link to the News story, WCCO FILM INCENTIVE MEDIA STORY.

490 would like to thank members like Sammy Halibi and April Hindrichs for their work in the union and outside making Minnesota a better place for production.

If you are a 490 union member and would like to be featured on our News page pls contact the social media committee at; socialmedia@iatse490.net if you are a production that would like to work under a union contact, please contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.



Local 490 works Cenex Super Bowl commercials

Crew from IATSE Local 490 worked under a union contract for the CENEX fall campaign that was shot in Minnesota last October 2021. Two of the spots played during the NFL Super Bowl LVI, just before the halftime show. This was a very intense production as six commercials were filmed in just 2 shoot days. The shoot was filmed at a Cenex station near Detriot Lakes, MN. The spots featured many picture cars, customs props, a crane rig and various looks inside the gas station to keep the art dept and other depts busy. Through all of this, 490 was up to the challenge.

“Local Entertainment” commerical by Cenex (2021)

The commercials above and below played just before the halftime show.

THe Cenex Station near Detroit Lakes, MN was the location for the Shoot.

The spots were directed by Kevin Johnson and produced by the production company PICROW from LA. The local agency was Colle McVoy.

“Crosstown Rivals” commercial by Cenex (2021)

Below are some production stills and a list of the union crew on the shoot;

Above: Assistant Props Melissa Pritchett & Propmaster Sarah Jean Shervin hold one of the custom license plate props for the commercial.

Above: Boom & sound man Nick Wright directs the microphone to the talent.

Above; Leadman: Brian Simpson with propmaster Sarah Jean Shervin apply vinyl to “greek” the set dressing.

Other union crew; Art Director: Mark Wojahn, Set Dresser: Tom Kristjanson, Gaffer: Matt Muegge, Best Boy Electric: Mike Handley, Electric: Brandon Sandberg, Sound Mix: Owen Brafford, Scripty: Linda Kuusisto, Makeup: Teri Demerest, Wardrobe: Deborah Fiscus and Craft Service; Natasha Georgia.

Here is one of the ARRI Alexa cameras that was on set. Camera supply house and Local 600 Member owned-Camera Support: CineMechanics provided the camera gear.

490 would like to thank Cenex, PICROW Productions and Colle McVoy for a safe shoot and for working under a union contract. This contract paid 490 members good wages, workers comp, unemployment insurance and health benefits. We believe when productions work under a union contract they are taking care of the workers, before, during and after the shoot. We hope to work with you again. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.

490 Crew Works NHL Winter Classic Video

IATSE Local 490 crew worked under a union contract for the NHL Winter Classic music video in early December 2021. The video featured the LA band DIRTY HONEY. The four piece performed on a frozen lake in northern MN. The band covered the Prince song, “Lets Get Crazy”. The music video footage was then edited into a kick off video for the pregame celebration for the outdoor hockey game of the Minnesota Wild v. the St.Louis Blues game at Target field in Minneapolis, MN. The game was played on January 1st 2022, it was reported as the coldest game ever played by the National Hockey League.

The video was directed by Tyler Lassiter of Turner sports and Craig Murray of Synergy films. This was a very intense shoot. It featured freezing temps, pryo-technics, windchill, ice precautions, medics and drones. Through all this, 490 was up to the challenge.

Below are some production stills and a list of the union crew on the shoot;

Above: EFX- Smoke effects, Tom Kristjanson mans an Antari M-8, 1700 Watt water-based fog machine on the snowpack.

Above: Production Designer: Rob Walstead runs a second Antari M-8, 1700 Watt water-based fog machine.

Above; Propmaster: Mark Wojahn tests a ring light in front of microphone in his prop shop before the shoot.

Best Boy Electric: Severyn Pearman assembles an ARRI skypanel DoPchoice SNAPBAG Softbox on the frozen lake.

Other union crew; Gaffer: Nathan Lee, Key Grip: Darin Spring, Best Boy Grip: Jeff Villars filled out the G& E dept. Conduit Sound supplied gear for Playback & union member Nick Wright supervised the sound dept on the shoot.

HMU was Abigail Gellrich, Craft Service was Katie Driver, the Grip Truck was supplied by Local 490 Member owned-G&E: Tasty Lighting Supply.

Here is one of the ARRI Alexa cameras that was on set. Camera supply house and Local 600 Member owned-Camera Support: CineMechanics provided some support gear for day.

490 would like to thank the NHL, Turner Sports, the production company Synergy Films, local production supervisor Erin Acker Wynne for a safe shoot and for working under a union contract. This contract paid 490 members good wages, workers comp, unemployment insurance and health benefits. We believe when productions work under a union contract they are taking care of the workers, before, during and after the shoot. We hope to work with you again. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.

Wheels Up Rentals Opens for Business

Veteran MN production crew & Local 490 members Sammy Halabi & April Hinrichs have officially opened a new business called "Wheels Up Rentals". It is an Entertainment Trailer Rental business serving Minnesota and the surrounding 49 states. They currently have 3 trailers in their fleet.

1. 4 Stall Hair & Make-Up Trailer

2. 3 Stall 3 Shower Luxury Honey Wagon

3. Production Office Trailer

Details of each trailer can be found on the Wheels up website. Wheels Up Rentals also has plans for more acquisitions, please stay tuned!

Their focus at Wheels Up Rentals is to build custom trailers for each department. While designing custom is not new for film and nationwide fleets, their twist is to have these trailers designed by Film department heads. They need to look no farther than themselves for this expertise. Mr. Halabi is one of the busiest producers, production managers and coordinators in MSP. He is actively building out the “under construction” production trailer in their fleet. His business partner, Ms. Hinrichs, is a Hair & Make, SFX Dept head. She has been on many features, commercials and TV series. Her HMU business, April Marie Makeup, has their own lab, built to make all your SFX and make up needs. She has designed the HMU trailer in their arsenal.

While some of you may smirk as their tagline claims to be serving “the surrounding 49 states”, Wheels up Rentals has already gone national. Their HMU trailer recently returned from film work in Atlanta. So if their fleet doesn’t work in MN, they could be elsewhere. They are officially open for business. Please contact them at their website at:

www.wheelsuprentals.com

Wheels Up Instagram: Wheelsuprentals

Facebook page: Wheels Up Rentals


Local 490 is proud to have members like Sammy Halabi & April Hinrichs in our union. These IATSE members are the best in their stagecraft. You can find out more about Sammy’s work at his Instagram page, GOFORSAMMY and April’s work at her website.

Please support our film industry by hiring stellar members like Sammy & April. Shoot your next production on a union contract. In doing so, you are getting the best crew in Minnesota, your project will be safe, well run, your crew will be professional. You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.

If you would like to be featured in Crew Profiles, pls contact Mark Wojahn in the social media committee, or email him at socialmedia@iatse490.net

Crew Profiles; Marlan “Tiny” Proctor-Sets, Props & SFX

Local 490 has some of the best crew in MN on our roster. They have worked on features, short films and commercials. They are on the top tier in the MN film industry. In this series, Crew Profiles, we are highlighting our union members on our roster. Next up, Local 490 member Tiny Proctor. He is a specialist in building sets, props and SFX.

1) Tiny, tells us about you and what you do in Film and TV?

I have been working in film, TV and still photography since 1994 and in special effects since 2011. I’ve had a shop in North East Minneapolis in the Casket Building since 2006. In this shop, I’ve cranked out many sets, props and art over the years.

Tiny Proctor, Film & Still Photo SFX, Set & Prop Specialist.

Tiny Proctor, Film & Still Photo SFX, Set & Prop Specialist.

2) Tell us about your new SFX gear that you’ve acquired?

I recently acquired most of Big Steve’s SFX shop. So I have new rain, fire, fog and snow equipment and can create many effects. I have 2 large rain towers that each cover a 75 foot wide area along with 5 firefighter nozzles and 1000’ of firehose. I can connect to fire hydrants and water trucks. I can load that into my 600 gallon cistern or I can syphon from a pool or lake with 3 different pumps. I also have more than a dozen smaller rain towers and rain bar options. For fog, I have 10 different fog machines from small, concealable ones to the giant Igeba gas powered foggers and dry ice pots. For fire effects I have many flame bars and I can make custom rigs. For snow, I have different types of snow machines and even some air squibs. If I don’t have it, I can get it or figure it out.

Tiny on set with the Make-A-Wish company as they create a kids St&r W&rs fan film.

Tiny on set with the Make-A-Wish company as they create a kids St&r W&rs fan film.

3) Who is calling you for this work?

I the past few months I have worked on; a feature on the North Shore and a local TV show, where we created a rain effect over a road and with moving cars. I did a Make-A-Wish film with a debris explosion and some music videos with flying debris, fog and smoke, blood and gunshot squibs. Before that I did the SFX on the HBO pilot, Mogadishu, MN.

Rains towers on the feature film, Abroad, currently in Post Production (photo by Matt Roy, 2021)

Rains towers on the feature film, Abroad, currently in Post Production (photo by Matt Roy, 2021)

4) Can you see other places you want to go with your business?

My time working on projects in Minneapolis has taught me to work with people of varying experience in diverse disciplines. I am comfortable managing a small or large crew or, more often, working with other departments to create seamless, safe and beautiful projects. I also have experience with firearms and pyrotechnics and am seeking certifications for both as an armorer and pyro-technician. Here is a link to a flamethrower rig that I made for Hormel Chili, https://vimeo.com/350014039 For fun, I create fire effigies and am a fire dancer and performer. I perform locally and at Burning Man.

Tiny performing as a fire dancer & breather.

Tiny performing as a fire dancer & breather.

5) Do you have any hopes for the new Minnesota film incentive?

I think the new film incentive will bring some larger projects into Minnesota. There are many people in IATSE 490 with deep experience in film making and I believe we can shine as a quality destination to produce excellent films, television and ads.

6) How long have you been a member of Local 490?

I joined IATSE 490 in 2019.

Local 490 is proud to have members like Tiny Proctor, Dieter & Evonne Sturm on our special effects roster. All of these union members are the best in their stagecraft. You can find out more about Tiny’s work at his website.

Please support our film industry by hiring members like Tiny Proctor and shooting your next production on a union contract. In doing so, you are getting the best crew in Minnesota, your project will be safe, well run, your crew will be professional. You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.

If you would like to be featured in Crew Profiles, pls contact Mark Wojahn in the social media committee, or email him at socialmedia@iatse490.net.

MN Govt. Pass Film Tax Credit!

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Thank you all union members for your hard work. It’s taken a lot of phone calls, emails, posts and lobbying but after many years Minnesota finally has a Film Production Tax credit. Thank you to the leadership of Local 490, the Legislative committee, political action committee, the MN FIlm & TV Board and SAG-Aftra. All of us came together to help make this happen. Of course we also need to thank the politicians on both sides of the isle who voted for this and the governor for signing the bill. Pasted below is a repost from the MN FILM & TV Board on details.

Minnesota Film & TV

“Last night, the Minnesota Legislature passed a tax credit for film and TV production!

They went down to the wire, passing the Tax Omnibus Bill as one of the final acts of the Special Session. While the bill that was passed was negotiated down significantly from where we started at the beginning of the session, this is a huge victory for Minnesota’s production industry!

The bill creates a transferable tax credit of up to 25% on qualified Minnesota expenditures for film and TV projects with a minimum spend of $1 million. The total amount of credits available each year is capped at $4.95 million, and the credit is in place for four years.

There’s not a lot of detail at this point. Administrative guidelines and procedures still must be developed, and we will share information on the process as we work with the state.

Thank you to everyone who took the time to call and email lawmakers in support of this provision – it’s been years in the making and is the result of passionate advocacy by a bipartisan group of legislators and individuals across Minnesota!

In addition, our MN Rebate Program (formerly known as Snowbate) has been funded for another two years at $500,000 per fiscal year – the same level as the last four years.

Stay tuned for details!! We'll have a Town Hall webinar soon to answer questions. And don't forget to come to our networking get-together at Utepils Brewing Co at 5:30p on July 15th! Register here (it's free): https://bit.ly/3dyZSEm

IATSE 490's Brian Simpson on Film Board panel.

MN Film & TV will host the First Friday Toolkit Series S2 E2 At noon on Friday, March 5, 2021.

Local 490's Brian Simpson will be a featured member of this event.

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PRODUCTION INCENTIVES MAKE PROGRESS AT THE MINNESOTA LEGISLATURE

Things are looking different for production rebates and tax credits this year. And by "different," we mean VERY EXCITING.

Our tax credit bill will be introduced this week, soon to be followed by legislative hearings. The legislature is, naturally, focused on post-COVID economic recovery right now. And guess which industry pumps money back into the economy at record speed?

According to a new report by research firm Olsberg SPI, "Screen production injects huge amounts of capital very rapidly into an economy...it will be a powerful sector for driving economic recovery."

This message, at last, is resonating at the Minnesota State Capitol.

At noon on Friday, March 5, we'll update you on what you can do to help get production incentives into the budget this year.

Brian Simpson of IATSE 490 and Casey Lewis of SAG-AFTRA Twin Cities Local, who have been working incredibly hard on this bill, will join us with all the latest info.

Click on this to get your Zoom link. https://tinyurl.com/22nzzdsr

MN Film & TV executive director Melodie Bahan will moderate the discussion.

Below is a recording of the update.

Pandemic Profile: Charlotte Ariss Locations

Location Managing in the age of Covid

The Locations department guides our film productions when we aren’t shooting in a studio. They often start weeks before a shoot day, showing directors, producers and agencies dozens of options for the production. Local 490 has some of the best location managers and assistants in the Twin Cities. They have worked on features, short films and commercials. They are on the top tier in the MN film industry. In this series, Pandemic Profiles, we are highlighting our union members who are showing us how they are evolving their business in the midst of the Covid-19 pandemic. Next up, Local 490 members Charlotte Ariss Locations and one of her scouts, Todd Sinkewich.

Local 490 members Charlotte Ariss & Todd Sinkewich work together finding the best locations in the Cities.  Photo provided by Charlotte Ariss

Local 490 members Charlotte Ariss & Todd Sinkewich work together finding the best locations in the Cities. Photo provided by Charlotte Ariss

In their own words, “As location managers we are tasked with providing clean and safe shooting locations. In the time of Covid-19, that task has become even more important for the safety and well-being of our crew and for our location stakeholders.

Photo provided by Charlotte Ariss

Photo provided by Charlotte Ariss

We make sure that we have adequate space for each department to set up and maintain social distancing. We keep as much staging outside, or in the garage, as possible. On a couple shoots last summer/fall we gained permission from the City of Minneapolis to shut down an entire residential block for staging crew and gear. This gave us ample room to spread out during the day and for lunch.

Crew meets on a tech scout for the union gig on Xcel energy. Photo provided by Charlotte Ariss

Crew meets on a tech scout for the union gig on Xcel energy. Photo provided by Charlotte Ariss

In terms of Charlotte Ariss Locations (CAL) specifically, we have updated our standard protocols for interior locations to include Sani-Set, where a professional cleaner comes in to sanitize all surfaces before the crew arrives and after the shoot so the homeowners can return to a fully sanitized home. We offer hotel lodging to keep homeowners distanced from their home until it can be thoroughly cleaned, and rugs and trash can no longer be transported in CAL personal vehicles.

Some of the Equipment that is used on the set to disinfect the location. Photos provided by Charlotte Ariss

Some of the Equipment that is used on the set to disinfect the location. Photos provided by Charlotte Ariss

Production changes on set have included mandatory masks, temperature checks, face shields for those close to talent, individually packaged snacks and lunches, more outdoor staging, social distancing, rotating shifts when working on set, sanitizer everywhere, questionnaires, COVID testing, a new COVID coordinator position, and virtual client review to limit those needed on set.

Keeping these realities in mind, we are up leveling our service to include a new product offering from one of our own CAL location managers, the Aware Air kit. Aware Air provides a chemical-free, air purification system that provides a critical layer of protection throughout the day by powerfully sanitizing not only the air but surfaces too. The system releases powerful oxidizers into the air and on surfaces, where they seek and destroy DNA and RNA viruses including SARS-CoV-2 (novel coronavirus). Look for this additional service which will be introduced in March 2021.

Masks, Hand sanitizer, chemical disinfectants are now on every set. Photo provided by Charlotte Ariss

Masks, Hand sanitizer, chemical disinfectants are now on every set. Photo provided by Charlotte Ariss

Our producers partner with rental companies such as union-endorsed Midwest Mohos & Production Supply to have a bathroom trailer and hand-washing station on the street or in a parking lot for crew to use. We usually reserve one (pre-sanitized) bathroom in the interior location or motorhome exclusively for talent use, and another for hair & makeup. We can sanitize throughout the day with our electro-static sprayer, and work closely with the Covid Safety Coordinator to make sure all industry-standard safety precautions are met and enforced.

Although we are vigilant to help keep things moving smoothly and safely throughout the location, we realize it is not realistic that a doorknob is going get wiped clean every time it is touched, nor can we control when someone sneezes or coughs, and there may be times when crew may find themselves working in closer proximity than 6 feet. Sometimes it simply cannot be avoided.

“Karna” is another member of Ariss Locations, here she is masked up on set. Photo provided by Charlotte Ariss

“Karna” is another member of Ariss Locations, here she is masked up on set. Photo provided by Charlotte Ariss

And throughout all of the pandemic, some things haven't changed..spirits are still high and the energy is positive. Although COVID has put a negative weight on all of our shoulders, shoot after shoot we are impressed by the ability for all of us to still come together, work as a team, and get it done! All with a smile under our masks. ;) “

Local 490 is proud to have members like Charlotte leading the way for a safer and cleaner film industry. You can find out more about her Location Services at https://www.charlottearisslocations.com

Please support our film industry by hiring members like Charlotte Ariss and shooting your next production on a union contract. In doing so, you are getting the best crew in Minnesota, your project will be safe, well run, your crew will be professional. You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.

If you would like to be featured in Pandemic Profiles, pls contact Mark Wojahn in the social media committee, or email him at socialmedia@iatse490.net.

Union Commercial Work Roundup

Much of 490’s work is providing crew for TV, Cable commercials for web content. We are lucky to have great Fortune 500 companies and Ad Agencies based in our state. We even have a few celebrities who hail from Minnesota that attract national attention. These businesses and stars often get top shelf directors and production companies which are union signatories. These signatories hire union talent, crew and camera professionals. Here is a selection of some of the union commercials 490 was a part of in 2020.

Client: Squarespace , director Todd Godsall, Production Company: Anonymous Content, Agency: Squarespace (in house creative)

Squarespace Superbowl commercial was Filmed on location in Winona MN and in the Twin Cities.

Squarespace Superbowl commercial was Filmed on location in Winona MN and in the Twin Cities.

490 Sign painter Phil Vaandervart plys his trade on the Squarespace Commerical

490 Sign painter Phil Vaandervart plys his trade on the Squarespace Commerical

490 Make up Deanna Johnson touches up talent on the squarespace commercial.

490 Make up Deanna Johnson touches up talent on the squarespace commercial.

Client: Xcel Energy, director: Joe Wright, Production Company: Sibling Rivalry, Agency: Carmichael Lynch

490 Dolly grips, Dave Pope & Gerhard Riautschnig Move camera for the Xcel Energy Commercial

490 Dolly grips, Dave Pope & Gerhard Riautschnig Move camera for the Xcel Energy Commercial

490 Decorator Sarah Jean Shervin moves dressing to the set.

490 Decorator Sarah Jean Shervin moves dressing to the set.

Dolly Grips Dean Woytke & Dave Pope move camera

Dolly Grips Dean Woytke & Dave Pope move camera

Client: Anytime Fitness, Director Terry Rietta, Production Company: At Swim Agency: Colle McVoy

490 propmaster Melissa Pritchett and set dresser Tom Krsitjansen adhere vinyl on set

490 propmaster Melissa Pritchett and set dresser Tom Krsitjansen adhere vinyl on set

Client; Cellcom, director Fred Goss, Production company: Company Films, Agency: BVK

IATSE Local 490 thanks all these companies for hiring crews with a union contract. You are getting the best studio mechanics and artists, the safest team and you are paying good wages, health benefits, workers compensation, unemployment insurance and even pension benefits! You are taking care of the crew before, during and after your production.

I.A.T.S.E. Local 490 Election Results

IATSE Local 490 has had its’ election last December 2020. We had a robust nomination process, with many new names running for our top spots. We are proud to announce our new officers for the next three years below. They will be sworn in Monday, January 25th, 2021.

Matt Muegge, President of Local 490

Matt Muegge, President of Local 490

Matt Muegge has won re-election as President. This will be his 2nd term, he ran unopposed. He has been president of Local 490 since 2018. He works in our industry as a gaffer, election and grip. Congrats brother Muegge as President of Local 490!

Kellie Larson is Business Agent of Local 490.

Kellie Larson is Business Agent of Local 490.

Kellie Larson has won election as Business Agent. She ran unopposed and works in our industry as a prop builder and prop assistant. She succeeds Brian Simpson as Business Agent. Kellie is a long time member of Local 13, who has recently joined Local 490. Welcome sister Larson as Business Agent to Local 490!

Sister Larson has been a member of Local 490 since 2020.

April Hinrichs is Vice President of Local 490.

April Hinrichs is Vice President of Local 490.

April Hinrichs has won election as Vice President. She ran unopposed and has been a long time member of the membership committee. She works in our industry as a Hair and Make up artist. She succeeds Mark Wojahn as the new vice President. Welcome sister Hinrichs as Vice President. April Marie Hinrichs has been a makeup artist for 20 years. She has been a member of the union’s membership committee. Her training in the Film Industry is extensive and wide spread. She has a passion for always growing and learning from each and every experience. April has a heart for people and thrives in any environment. She has depth and range to work with all races, ages, and skin types. She received her Makeup and FX training from the Westmore Academy in Burbank California as well as her skin and hair training from the Aveda Institute and Dermal Institute.

Sister Hinrichs has been a Local 490 member since 2014.

Natasha Georgia is Treasurer of Local 490.

Natasha Georgia is Treasurer of Local 490.

Natasha Georgia won election as our Treasurer. She ran against Dan Miller. She works in our industry as Craft services. She succeeds Edward Cohen as Treasurer. Natasha Georgia has been providing Craft Services for Independent Film, TV & Commercial Productions in the Twin Cities since 2016. She grew up in MN & graduated from MCAD with a degree in fine art in 1998 where she focused on mixed media installation art. She’s a longtime foodie who has been a pastry chef, award winning gelato maker, cheesemonger, kitchenware and cookbook buyer among other things. She loves doing craft services. Natasha’s film & television credits include HBO’s Mogadishu Minnesota, ABC’s In An Instant Season 3, Netflix 2019 Chris D’Elia Comedy Special & Indy film Tuscaloosa. She’s provided Craft services for many Union Commercials over the past few years including several large Super Bowl commercials. Natasha lives in Minneapolis with her husband, teenage son & bearded dragon, Floki. Congrats sister Georgia as the new Treasurer!

Sister Georgia has been a member of IATSE Local 490 since the spring of 2017

Sammy Halabi is Secretary of Local 490.

Sammy Halabi is Secretary of Local 490.

Sammy Halabi has won election as Secretary. He ran unopposed. Sammy succeeds Bryan Bredahl as the Secretary and works in our industry as a Production Office coordinator. Sammy Halabi has been in the Industry since 2007, in various roles , but is most well known for being a production coordinator / manager. Sammy started is career as a director/ producer by self-funding a music video which got distribution to MTV & VH1 which helped propel his career. To this date Sammy has worked on over 150 different TV shows and commercials all over the United States. Sammy's life passion is his work in production and continues building his name and brand "GoForSammy" & "Wheels Up Rentals”.Coordinator. Congrats and welcome brother Halabi as Secretary of Local 490!

Brother Halabi has been in Local 490 since 2020.

Deanna Johnson, Executive Board Member at Large

Deanna Johnson, Executive Board Member at Large

Deanna Johnson has won election as Executive Board member at large. This is her third term on the Executive board. She has been on many committees in her time in 490, inc, legislative, party and the rules committees. She works as a Hair and Makeup artist in our industry. Congrats on another term on the Executive Board of Local 490!

Molly Worre, Executive Board Member at Large

Molly Worre, Executive Board Member at Large

Molly Worre has won election as Executive Board member at large. This is her second term on the Executive board. Sister Worre works as a script supervisor and a director in our industry. Congrats on another term on the Executive Board of Local 490!

Board of Trustees

Deborah Fiscus has won election as a Board of Trustee. Sister Fiscus works as a wardrobe and costume artist in our industry. Congrats and welcome Sister Fiscus as as Trustee of Local 490!

Tom Franchett has won election as a Board of Trustee. Brother Franchette works as a gaffer in our industry. This is his second term as a trustee. Congrats and welcome brother Franchette as as Trustee of Local 490!

Scott Nordhausen has won election as a Board of Trustee. Brother Nordhausen works as a set dresser and on-set dresser in our industry. This is his first term as a trustee. Congrats and welcome brother Nordhausen as as Trustee of Local 490!

Local 490 is proud to have these fine members lead us in the coming years. We look forward to the positive work they will be doing as our union continues to guide the MN Film Industry.

Pandemic Profile: Natasha Georgia-Craft Services

As we think about safe food practices heading into Thanksgiving, there is one dept that thinks of this all year, Craft Services. We at Local 490 have the best craft services artists in the Twin Cities. They supply that needed rush of calories on small commericials or big movie sets. There are on the top shelf in the film industry in Minnesota. Not only do they perform their role well on set, many own additional businesses that serve our film community. In this series, Pandemic Profiles, we are highlighting our union members who are showing us how they are evolving their business in the midst of the Covid-19 pandemic. Next up, Local 490 member Natasha Georgia craft services.

Natasha on set, masked up and extra safe with a hard hat on a union Xcel Energy shoot. (image by Natasha)

Natasha on set, masked up and extra safe with a hard hat on a union Xcel Energy shoot. (image by Natasha)

In her words,

“Nearly everything about Craft Services has changed with COVID-19. Gone are the lovingly prepared meat & cheese platters, big bowls of chips, dips and platters of doughnuts that once graced craft tables. No more standing around the craft table chatting in between set ups. Keeping everyone safe is the priority.

The old days of crafty meat and cheese platters is on hiatus, when will it come back? (photo by Natasha)

The old days of crafty meat and cheese platters is on hiatus, when will it come back? (photo by Natasha)

The old pre-pandemic days of meat and cheese plates.  (image provided by Natasha)

The old pre-pandemic days of meat and cheese plates. (image provided by Natasha)

Now, only one person can approach the craft table at a time with freshly sanitized hands, wearing a mask. Pre-packaged food and beverages must be handed to them. Crafty has gone from a buffet style spread to a highly sanitized take-out deli. There is no more food and beverage passing as Crew cannot eat on set and sanitary food cannot leave and then go back to the crafty table.

It is common to see signs at our station to; wash hands, stay distanced, stay safe! (image provided by Natasha)

It is common to see signs at our station to; wash hands, stay distanced, stay safe!

(image provided by Natasha)

Crafty “Feed Bags” are now more the norm.  (image provided by Natasha)

Crafty “Feed Bags” are now more the norm. (image provided by Natasha)

Prep time takes twice as long as everything must be portioned and wrapped individually in a fully sanitized area. Take out containers and packaging of all shapes and sizes must be sought out for everything you can’t get pre-packaged. Much more garbage is created and food is wasted. We were doing so well with being earth friendly on set!

The new Crafty spread is much different, everything is individually wrapped. Hand sanitizer is on the table.

The new Crafty spread is much different, everything is individually wrapped. Hand sanitizer is on the table.

But, we adapt, accept the new normal and find more efficient ways of doing things as we go. I do have to say that I love how sanitary everything is now. No more dirty fingers grabbing a handful of chips instead of using tongs. “You touch it you take it!” is the new rule. All the little things we have done without thinking in the past can now spread Covid-19 if we’re not careful. 

Natasha’s Covid Safety Guidelines.  (image provided by Natasha)

Natasha’s Covid Safety Guidelines. (image provided by Natasha)


Is Craft Services still essential on set? Absolutely! Cast and crew still need coffee and protein to keep them going, water to keep them hydrated and tasty treats to ease the stress. I am here for your cast & crew to continue to provide that. “

Local 490 is proud to have members like Natasha leading the way for a safer and cleaner film industry. You can find out more about her Craft Services business and Natasha Georgia at this link, https://natashageorgiacraftservices.com/

Please support our film industry by hiring members like Natasha Georgia and shooting your next production on a union contract. In doing so, you are getting the best crew in Minnesota, your project will be safe, well run, your crew will be professional. You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.

If you would like to be featured in Pandemic Profiles, pls contact Mark Wojahn in the social media committee, or email him at socialmedia@iatse490.net.

Pandemic Profile: Jeff Fischer-key grip & owner of Midwest Mohos

490 members are on the top shelf in the film industry in Minnesota. Not only do they perform their role well on set, many own additional businesses that serve our film community. In this series, we are highlighting our union members who are showing us how they are evolving their business in the midst of the Covid pandemic. First up, Key Grip, Electrician and owner of Midwest Mohos Jeff Fischer!

In his own words,

“My name is Jeff Fischer. I am a key grip and electrician in IATSE Local 490. I'm also the owner of Midwest Moho and Production Services LLC. I supply production support vehicles and gear for our film community. If you need a motor home on set, a production trailer? call me!

Jeff Fischer masked up with one of his drivers, Matthew Brandt.

Jeff Fischer masked up with one of his drivers, Matthew Brandt.

Our livelihoods have been slowed down considerably in these days of Covid-19. I take the health and safety of ourselves and co-workers very seriously . That being said, I've invested upwards of $20,000 dollars towards sanitary equipment to help get our film community back to work sooner and safer . Some examples of this equipment are as follows:

An
electrostatic disinfectant sprayer, an extreme “mist” disinfectant sprayer and many CDC approved food grade, virus killing chemicals. The electrostatic disinfectant sprayer gives an electrical charge to cleaning solutions, helping them to cover reactive surfaces with an potent and even coverage. Because it’s hand held its very easy to use on diverse and challenging film sets.

the electrostatic disinfectant sprayer

the electrostatic disinfectant sprayer

Many locations have made it it more restrictive for film crews to use their restrooms during Covid, especially when we shoot in a home location. Midwest Mohos now offers a two room restroom for crew and talent. This makes it so much easier on the locations and for the crew to have a dedicated place for us to wash hands, use the restroom and still be close to set. Our on site support drivers will be disinfecting this throughout the production day.

Midwest Mohos 2 room Restrroom aka a Honeywagon.

Midwest Mohos 2 room Restrroom aka a Honeywagon.

I also designed and built 2 mobile hand washing stations. We can place these stations closer to set than the restroom, so everyone is cleaner and safer.

1 of 2 portable handwashing stations

1 of 2 portable handwashing stations

We have also added hand sanitizer towers, with antibacterial foaming soap dispensers. These work great to disinfectant quickly.

IMG_7413.jpg

These are a few of the things Midwest Mohos are doing to keep it rolling as they say.

As a grip and electrician, most of our changes have to do with wearing masks, shields, gloves and maintaining social distancing. If there is any grip or electrical gear that is close to talent and needs to be cleaned on set, its great to have the extra cleaning supplies Midwest Mohos provides on set, we can rent all that to you for your production as a package or ala carte.

I'm very proud of the way our film community has come together as one unit, to make our work places safer and healthier. I think a lot of these practices are great for during the pandemic and should continue long after Covid is gone.”

Jeff masked and shielded on set.

Jeff masked and shielded on set.

Local 490 is proud to have members like Jeff leading the way for a safer and cleaner film industry. You can find out more about Midwest Mohos and Jeff Fisher at this link.

Please support our film industry by hiring members like Jeff Fischer and shooting on a union contract. In doing so, you are getting the best crew in Minnesota, your project will be safe, well run, your crew will be professional. You will be paying the crew good wages, supplying workers comp, unemployment insurance and even retirement benefits. This supports our union brothers and sisters before, during and after your project. Contact our business agent at this email, businessagent@iatse490.net, to find out more about shooting union.

If you would like to be featured in Pandemic Profiles, pls contact Mark Wojahn in the social media committee, or email him at socialmedia@iatse490.net.